My practice embraces everything from text to installation, although lately I’ve focused on film and photography. My work is not strictly autobiographical but embraces the personal narrative as a performance that can be constructed, deconstructed and reconstructed each time is it retold.
I’m researching the history of past productions at Leith Theatre, focusing on the Japanese director Yukio Ninagawa. I hope to combine this research with my own past in amateur theatre, before I got stage fright at 19. I’m interested in exploring performance anxiety, while playing with the idea of the performance as a mask that can hide emotion from the onlooker.